{"version":"1.0","provider_name":"Patricia Pagny","provider_url":"https:\/\/patriciapagny.com\/it\/","author_name":"Patricia","author_url":"https:\/\/patriciapagny.com\/it\/author\/philgc\/","title":"WOLFGANG AMAD\u00c9 MOZART \u2013 Piano Concertos K467 & K 482 - Patricia Pagny","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"KoPCH56kMZ\"><a href=\"https:\/\/patriciapagny.com\/it\/discography\/mozart\/\">WOLFGANG AMAD\u00c9 MOZART \u2013 Piano Concertos K467 &#038; K 482<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/patriciapagny.com\/it\/discography\/mozart\/embed\/#?secret=KoPCH56kMZ\" width=\"600\" height=\"338\" title=\"&#8220;WOLFGANG AMAD\u00c9 MOZART \u2013 Piano Concertos K467 &#038; K 482&#8221; &#8212; Patricia Pagny\" data-secret=\"KoPCH56kMZ\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/patriciapagny.com\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/patriciapagny.com\/wp-content\/uploads\/2017\/11\/9-Mozart.jpg","thumbnail_width":741,"thumbnail_height":741,"description":"PRESS REVIEW &nbsp; Significativo di tale atteggiamento di totale coinvolgimento nel discorso, ma pur sempre attraverso l\u2019indispensabile mediazione stilistica, \u00e8 il fatto che la Pagny abbia \u201cimprovvisato\u201d essa stessa le cadenze, dimostrazione della propria abilit\u00e0 e coerenza musicale.\u201d LA GAZZETTA DI PARMA \u201cMost composers are plenty of ideas and particularly Mozart. With Patricia Pagny\u2019s interpretation I can exactly discern Mozart\u2019s style, as if he would have lived inside of her, moving her heart and sending her messages; during a short [&hellip;]"}